On the Ted Radio hour, linguist Ann Curzan says she gets a lot of complaints about people using the pronoun they to refer to one person.
I sometimes get into arguments with people where they will say to me, but it can't be singular.
And I will say, but it is the history behind words causing a lot of debate.
That's on the Ted radio hour from NPR.
This is FRESH AIR.
I'm David B.
And Cooley.
Today's show is devoted to Norman Lear, the sitcom producer who helped transform television of the 1970s by stressing topicality, divisive issues and likable but volatile comedy characters.
He died last week at age 101.
Lear's most famous achievement, all in the family, was the most popular series on tv for five consecutive years.
That show spawned several hit spin offs, including Good Times and the Jeffersons, and Lear created many other comedies as well.
Most of them were instant successes, but even the lesser seen cult shows were fascinating.
On today's show, we'll listen back to our interview with Norman Lear.
We'll also revisit interviews with Esther Roll, the star of Good Times, and John Rich, who directed one episode of Good Times and 81 episodes of all in the Family.
But first, let's put Norman Lear's legacy in its proper perspective.
Like MTM enterprises with the Mary Tyler Moore show and Larry Gelbart with M A S h, Lear was a tv pioneer of sorts, part of a new tolerance and appetite for comedies that actually said something rather than just offered total escapism.
Lear adapted his first sitcom hit, all in the family, from a long running british sitcom called till Death us do partner.
But Lear made his version utterly american from the start.
The first episode of all in the family was so controversial, it was preceded by an on air disclaimer.
But the clash of ideas and ideals between bigoted Archie Bunker and his son in law, whom Archie called Meathead, caught on instantly.