Greg Currie on the Philosophy of Film

格雷格·柯里谈电影哲学

Philosophy Bites

社会与文化

2016-03-27

19 分钟
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单集简介 ...

This episode of the Philosophy Bites podcast focuses on several questions about representation and perception in the philosophy of film. Nigel Warburton talks to Greg Currie.
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单集文稿 ...

  • This is philosophy bites with me, Nigel.

  • Warburton, and me, David Edmonds.

  • Philosophy Bites is unfunded.

  • Please help us keep it going by subscribing or donating at www.philosophybytes.com, or you can become a patron at Patreon.

  • Philosophers have written a great deal about a wide range of art forms, including painting, music, drama, and even photography.

  • But what about film?

  • Is there anything distinctive about film which makes it philosophically interesting?

  • Greg Currie of York University thinks there is.

  • Greg Currie, welcome to philosophy Bites.

  • Hello.

  • The topic we're going to focus on is the philosophy of film.

  • Now we're talking about feature films.

  • Movies.

  • Obviously Plato didn't write about the feature film.

  • It's a relatively new discipline, the philosophy of film.

  • What are the interesting questions that philosophers ask about film?

  • Philosophy of film is, of course, a recent subject, just as film is a recent medium, the youngest artistic medium that has been highly successful and perhaps the most successful medium that there has ever been.

  • There are a number of problems that I think of interest to philosophers about film, and some of them are to do with the way in which film relates to perception.

  • And this comes up in relation to photography as well.

  • But film gives it an extra emphasis because of the way in which film occupies time as well as space and provides movement rather than merely static images.