2023-09-26
1 小时 22 分钟One of the most notorious – and least seen – erotic narrative films of the 90s, Boxing Helena was the misbegotten passion project of Jennifer Lynch, daughter of David Lynch. Four years after Boxing Helena, the elder Lynch released one of his most controversial films, Lost Highway, which tackles similar themes as Boxing Helena, including male sexual fragility and the “Madonna-Whore” complex. Today we’ll talk about how Boxing Helena became bigger as a punchline than a movie, and we’ll trace David Lynch’s career as a provocateur to try to explain why his excavation of the dark, sexual core of Americana was celebrated when he made Blue Velvet, and pilloried a dozen years later when he made Lost Highway. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
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To learn more, welcome to another episode of you must remember this, the podcast dedicated to exploring the secret and or forgotten histories of Hollywood's first century.
I'm your host, Karina Longworth, and this is another installment of our ongoing series, erotic nineties.
Too sexy for my love.
Too sexy for my love.
Just sex, David.
Just sex.
Not love, just sex.
And sex just isn't cool without condom for protection, you're a hooker.
He talked about pornographic material.
He gave me a lot of pleasure.
So we can show the sex act all over the place.
Sex seminary I have seen one or two things in my life, but never.
Never anything like this.
We last talked about David lynch in the first episode of erotic nineties, when his film Wild at Heart was part of the conversation around the need to make changes to the rating system.
Lynch's career had been at its commercial peak when Wild at Heart won the top prize at Cannes in 1990.