2024-03-13
52 分钟Martin Scorsese, Greta Gerwig, Alexander Payne, Yorgos Lanthimos and Christopher Nolan engage in a conversation with moderator Jeremy Kagan for the 33rd Annual DGA Meet the Nominees: Theatrical Feature Film Symposium. Please note: spoilers are included. See photos and a summary of this event below: https://dga.org/en/Events/2024/March2024/MTN_TheatricalFeatureFilm2024
It was a wonderful thing for me to be able to shoot the reality because they looked at all the reference and the art department had done an incredible job, and Ruth had found things like when they hoisted the gadget and the tower, they put mattresses underneath it in case it fell.
And I was like, well, we got to put that in the film.
I mean, it's so representative of how insane the whole proposition was.
Hello, and welcome back to the director's cut, brought to you by the Directors Guild of America.
In honor of the 76th annual DGA Awards, we're bringing back our annual series of episodes devoted to our popular Meet the nominees theatrical feature film Symposium.
The event is a roundtable discussion with the directors nominated for the guild's award for outstanding directorial achievement in theatrical Feature film.
This year's nominees included Greta Gerwig, the director of Barbie, Jurgos Lanthimos, the director of Poor Things, Christopher Nolan, the director of Oppenheimer, Alexander Payne, the director of the holdovers, and Martin Scorsese, the director of killers of the Flower Moon.
These talented directors gathered on stage at the guild's Los Angeles Theater on February 10 to discuss the craft of directing and the making of their films with moderator Jeremy Kagan.
So please enjoy part one of our meet the nominees theatrical feature films special.
We are so fortunate to have these amazingly talented directors all be with us today.
Right here, Marty.
This morning I was looking at some images by William Blake, and he said that imagination is not a state.
It is the essence of human existence itself.
And you five are inspiring sculptors of imagination.
And to pick a line from your movies, all of you show us and see worlds beyond what we really live in.
And we thank you for your creativity.
It's just amazing.
And now to get serious into process, because, you know, this is an audience of directors and directorial teams, so we want to know how you do it.
So let's start with a really important question.
What shoes do you wear when you're on set?