This week, James, Jerah, and Jon are covering I Saw the TV Glow, written and directed by Jane Schoenbrun, starring Justice Smith, Brigette Lundy-Paine, Helena Howard, Lindsay Jordan, Connor O'Malley, Emma Portner, Ian Foreman, Fred Durst, and Danielle Deadwyler. Together, they discuss just how wild it is that A24 has such an identifiable house style, how complicated all of their initial thoughts about it are, some of the casting choices, where its trans allegory did and didn't feel clear, Buffy, and much, much more! SUBSCRIBE TO EXCLUSIVE CONTENT AND OUR BACK CATALOG OF 400+ EPISODES: https://app.redcircle.com/shows/7655b7ec-dc57-47c9-ab96-1a8fa02f6573/exclusive-content JOIN OUR PATREON: https://www.patreon.com/BMCJ FOLLOW BLACK MEN CAN'T JUMP [IN HOLLYWOOD]: https://twitter.com/blackmenpodcast https://www.instagram.com/blackmenpodcast BUY BLACK MEN CAN'T JUMP [IN HOLLYWOOD] MERCH: https://www.teepublic.com/stores/black-men-can-t-jump-in-hollywood Produced by Skyler Hanrath Our Sponsors: * Check out Earnin and use my code JUMP for a great deal: www.earnin.com Support this podcast at — https://redcircle.com/black-men-cant-jump-in-hollywood/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy
I do think it's kind of funny that you can always tell a movie was produced by a 24.
Yes.
Just by the colors.
Yeah, you can tell by the colors.
You can tell by the pacing.
There's, like, a pacing.
Yeah, you can tell by the pacing.
Specific pacing.
You can probably tell by how much dialogue is in a script.
If you look.
There's not that much dialogue in this script.
Yeah, a 24 is like, got it.
Yep.
It's about some.
It's.
It's interesting because I've never seen a studio do that before, where the studio itself becomes the style, and it's almost like the creators adapt to that style.
Like.
Like, would they make.
Like, would they make a spring breakers today?
Like, spring breakers is so different in visual and content than what a 24 makes now.