2024-10-16
1 小时 46 分钟Whether it’s Cher or Paul Mescal, Amelia Dimoldenberg can turn her “dates” at a fast-food restaurant into chemistry-fueled, revealing interviews. The dates may be fake, but viewers are always left with the impression that the celebrity guest would probably be game for a second one. Amelia reads a Modern Love essay from Rachel Fields, who is not sure how her last date has gone. After sending a risky text message, Rachel’s insecurities cloud her morning routine as she waits for a response. Amelia offers tips on how to soothe the anxieties that creep up in the early phases of dating, and how to feel confident throughout the process. Her show, “Chicken Shop Date” is celebrating its 10th anniversary this month. Want to leave us a voice mail message on the Modern Love hotline? Call (212) 589-8962 and please include your name, hometown, and a callback number in your message. How to submit a Modern Love Essay to The New York Times How to submit a Tiny Love Story
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Before we get started, I want to explain why this episode appears to be very long.
But first, a little background.
You know, this year weve been celebrating 20 years of the modern Love column, and this podcast, the one youre listening to right now, is almost ten years old.
In those ten years, the Times has added so much to its podcast lineup.
You probably know that daily, every morning, they help us make sense of these truly historic times.
The same with the run up, which has been essential listening for understanding this upcoming election.
The Ezra Klein show, too.
Then there's the interview, which has some of the deepest conversations with some of the biggest names in the world, and hard fork, a show that somehow manages to make all the news about tech and AI actually fun and not so scary.
Or even more recently, the Wirecutter show, which is a true delight and absolutely crucial for my own shopping.
And of course, I can't forget serial.
They basically kicked off the entire podcast craze, and they're still here telling richly reported stories week by week.
All of this is to say we have a huge amount of audio reporting and storytelling with range, all the breadth and depth you expect from the New York Times.
And now we're asking you to support this work by becoming a subscriber.
As a New York Times subscriber, you'll get full access to this whole slate of shows, including past episodes, bonus content, and early access to new shows.