2024-11-13
1 小时 30 分钟Hello and welcome back to the Director's Cut, brought to you by the Director's Guild of America.
This is our 500th episode and we wanted to start by taking a moment to thank everyone who has participated in our conversation series over the years.
We also want to thank you, our listeners, for supporting our show and our members work since we started this podcast in 2015.
Whether you've joined us for the occasional conversation or this is also your 500th time tuning in, we appreciate you.
To celebrate, we want to highlight some of our most notable discussions over our nine years on the air.
We'll be revisiting the futuristic dunes of Arrakis, the streets of 1970s Mexico City, and the trenches of World War I era Europe and more as filmmakers give insight into their process of building incredible cinematic experiences.
Our first clip takes us to a modern day Los Angeles laundromat where the struggling owner discovers that only she can save the multiverse.
Listen on.
As DGA award winning directors Daniel Kwan and Daniel Scheinert speak about filming everything everywhere all at once with director Destin Daniel Cretton.
But.
But I do want to talk about working with actors, getting performances.
It's not only Michelle, Stephanie Key, I mean, everybody killed it in this movie.
So what did you find was your role as directors in shepherding that whenever.
So I'm not.
I'm like a computer nerd.
I'm terrible with humans.
Like directing was.
I did not think I was going to become a director.
He's like the theater guy.
And so I owe so much to the Sundance labs, the Sundance Institute for taking us in early on with Sorry man.