2020-09-23
56 分钟Topics covered include: finding your creative collaborators, strip club breakfast buffets, editing as the final draft of a script, the Sundance party scene, why bad notes are better than no notes, meaningful nudity on screen, getting paid the least for doing the most, and what it’s like making a naughty movie when you’re a prude.
Hey, and welcome Back to the A24 podcast.
We're excited to pick things back up with a conversation between two close friends and frequent collaborators, Zola, filmmaker Janixa Bravo and editor Joy McMillan, whose name you might recognize from her Oscar nominated work on Moonlight.
It's great to be back and we've got a full lineup of episodes to get you through the fall.
Here's Janixa and Joy.
Joy.
Joy, please introduce yourself.
Or would you like me to introduce myself while you're laughing?
You do it.
This is terrible.
I can't speak.
Okay, I'll introduce myself.
Hi.
Hi.
For those listening at home, in cars, on hikes, on walks, in tubs, I'm Janixa Bravo.
I'm a filmmaker based in Los Angeles.
Here sitting with me is.
You're doing so well.
Will you say my name?
Joy McMillan.
Joy.