Pushkin.
Why is Miami Miami?
What does the heartbreaking fate of the cheetah tell us about the way we raise our children?
Why do Ivy League schools care so much about sports?
I'm Malcolm Gladwell.
In my new audiobook, Revenge of the Tipping Point, I'm returning to the subject of social epidemics and the dark side of contagious phenomena.
Find Revenge of the Tipping Point wherever you find audiobooks out now.
Hello, everyone.
For those who've listened to the show, you'll know that Lee Krasner started painting at around aged 14 until her death in 1984.
That's six decades of work.
One thing I love about Lee's art is how it was constantly changing in style, in scale, from 17ft wide paintings to small mosaic tables.
We didn't really have time to get properly stuck into Lee's art in the show, but we're going to do that now because for me, they're some of the greatest masterpieces of the 20th century.
And we're going to do that with my friend Eleanor Nairn, who knows all about Lee.
In fact, she's the person who introduced me to Lee Krasner's work in the first place.
And a quick note that all of the paintings we'll be discussing are linked to in our show notes, so if you'd like to take a look as we go, please do.
Hi, Eleanor.
Thank you so much for making time to chat with me about all things Lee Krasner.
Thank you, Katie.
I know you're pretty busy these days because of your new job as the Keith L.
And Catherine Sacks curator and Head of Modern and Contemporary Art at the Philadelphia Museum of Art.