Lorne Balfe

洛恩·巴尔夫

The Monocle Weekly

社会与文化

2024-02-03

16 分钟
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Monocle Radio’s Laura Kramer speaks with Grammy-winning composer Lorne Balfe about his latest project, the spy comedy *Argylle*. Balfe reflects on his impressive career and working with the likes of Michael Bay, Matthew Vaughn and Hans Zimmer. Plus: how The Beatles’ last song, ‘Now and Then’, ended up on his new film. See omnystudio.com/listener for privacy information.

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  • Hello and welcome to the Monocle Weekly.

  • I am Laura Kramer and on today's show I speak to the Grammy winning composer, Lauren Balfe.

  • With a career that spans more than two decades, Lorne has made an undeniable mark on Hollywood working on projects for directors like Michael Bay, Ron Howard and Christopher Nolan combined.

  • The films that Lauren has crafted music for have brought in more than $9.

  • Billion at the box office, making him.

  • One of the most successful British film composers of all time.

  • He stopped by Midori house to chat to me about his latest project, the spy comedy Argyll, directed by Matthew Vaughn.

  • And Loren began by telling me about the premise of.

  • It is an homage, I think, to the movies that I love.

  • Romancing the Stone was a great example of.

  • I think this is what Matthew kind of was inspired by these classic movies that had fun and action and comedy and romance and Argyle really is.

  • Cinema's there to escape.

  • And, and this is the movie that I think you get where you, you get introduced to a character, Ellie Conway, where you don't really know where she belongs and then something happens and the plot changes and there's lots of surprises in it, but it's a, it's a romance film, it's an action movie and it's, it's the type of film that I want to go to the cinema to see.

  • I think you're right.

  • And Matthew Vaughn, the director is known for this.

  • Yes, he does this so well.

  • And you have a relationship going back with him quite a few years.

  • Work in the past.

  • Do you have a sort of shorthand at this point in how you approach your composition?

  • How does that work?