2024-11-20
1 小时 4 分钟In 1980, a variety show debuted on NBC called Pink Lady and Jeff. Its stars were a pair of Japanese pop idols known for catchy, choreographed dance numbers. Pink Lady was inescapable in Japan: selling millions of records, appearing on TV daily, and filling arenas. But their American TV show left audiences completely bewildered. Pink Lady and Jeff acquired legendary status as one of television’s most notorious bombs, a show that managed to kill off the entire variety show genre. Or at least—that’s how it’s been seen in America. But for the two women of Pink Lady, the show was something else. In this episode, Decoder Ring’s Evan Chung puts this so-called “megaflop” in the spotlight to find out what really went wrong. You’ll hear from Mie and Keiko Masuda of Pink Lady, their co-host Jeff Altman, head writer Mark Evanier, and legendary TV producer Sid Krofft of H.R. Pufnstuf fame. This episode was written and produced by Evan Chung. It was edited by Willa Paskin. Our translator was Eric Margolis. Decoder Ring is also produced by Max Freedman and Katie Shepherd, with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. Special thanks to Kelly Killian, Lorne Frohman, Rowby Goren, Michael Lloyd, Cheyna Roth, Karin Fjellman, Cole delCharco, and Hannah Airriess. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Disclosure: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Earlier this year, Decoder Ring's senior editor and producer Evan Chung got a chance to speak with a Hollywood legend.
A legend by the name of Sid Croft.
And if you don't know who I am, you all have a cell phone.
Call your grandma.
You should be talking to your grandma every day.
Anyway, Sid is 95 years old now, and for virtually every one of those years, he's been an entertain ever since.
I'm 10, I'm in this business.
It's the only business I know.
As a little kid in the Depression, Sid fell in love with puppetry.
And by the time he was a teenager, he was opening for Judy Garland in Liberace.
And then starting in the late 1960s, he teamed up with his brother Marty to make a series of gonzo psychedelic children's TV shows starring some very large, very trippy puppets.
Look at that tree's talking.
Oh, everybody talks here on Living Island.