Buildings inspire many emotions, like awe, serenity or even dread. CrowdScience listener Siobhan was struck by this as she passed a huge apartment block with tiny windows; it reminded her of a prison. So, she asked us to investigate the feelings that buildings can trigger. Architects have long considered how the effect of buildings on their occupants or passersby: asking whether certain features elicit feelings of wonder or joy... or sadness and fear. And now modern neuroscience has started to interrogate these very questions, too. How much of the way we feel about a building is to do with its intrinsic design, and how much is due to our individual brain chemistry and life experiences? Presenter Caroline Steel talks to designer Thomas Heatherwick about his ideas for improving public spaces; enters a virtual reality simulation in Denmark to learn about the emerging field of ‘neuroarchitecture’; and finds out why people just can’t agree what makes a ‘good’ or ‘bad’ building. Contributors: Thomas Heatherwick, Heatherwick Studios, London Professor Zakaria Djeberra, University of Aalborg Professor Lars Fich, University of Aalborg Professor Edward Vessel, City College of New York Presenter: Caroline Steel Producer: Richard Walker Editor: Cathy Edwards Production Coordinator: Ishmael Soriano Studio Manager: Duncan Hannant (Image: Rear view of woman surrounded by old traditional residential buildings and lost in city, Hong Kong, China. Credit: d3sign via Getty Images)
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So a neutron star is kind of about the size of Chicago.
Unexpected Elements from the BBC World Service.
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There's one just a little far down the road here that we could have a look at and perhaps I could show you that.
You're listening to Crowd Science from the BBC World Service.
I'm Caroline Steele and I'm with one of our listeners, Siobhan.
She's introducing me to part of her London neighbourhood.
Yeah.
Okay.
So it's sort of.
It's brown.
It has very small windows, like very small windows.
All the windows sort of look like bathroom windows, I would say.
I mean, I think the style is brutalistic in its architecture.
It's got very monolithic sides, small windows, shadows, monotone colors, and has a sort of strange design through the middle.
We're stood in front of a building.
She often walks past.
It almost has the outline of a roof, but it's placed in the middle of the building.
It looks like someone's taken a brutalist building, flipped it on its head and then removed the windows.