The Academy Award-winning actress discusses her lifelong quest for connection, humanity’s innate goodness and the point of being alive.
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From the New York Times this is the interview.
I'm David Marchese.
Unexpected connections sometimes arise in this job.
As it happens, I had two of them with this week's guest, the Academy Award winning actress Tilda Swinton.
Both of them shaped my feeling about the conversation you're about to hear, though in very different ways.
Let me tell you about the first one in a book of sketches by the British writer John Berger called Bento's Sketchbook.
One drawing has always mesmerized me.
It's of an androgynous face, almost alien, and it exudes this deeply human curiosity and compassion.
That sketch is labeled simply Tilda.
I hadn't really thought about who it was based on until that is, when, in preparation for my interview with Swinton, I watched a documentary she co directed about Berger.
In it, she mentioned Bento's Sketchbook and a light bulb went on.
Despite despite being a longtime admirer of that sketch and Swinton's acting, I never put together that I'd been entranced by the same person the whole time.
I couldn't help but take that as a good omen for the interview.