Brilliantly Boring

非常无聊

99% Invisible

艺术

2024-10-12

27 分钟
PDF

单集简介 ...

In this bonus episode, Roman unearths the surprising story behind the 99% Invisible's name and delves into the unnoticed brilliance of everyday design—from the origins of reinforced concrete to the artistry of Japan’s manhole covers.

单集文稿 ...

  • Today's bonus episode of 99% invisible is proudly sponsored by PNC Bank.

  • The world's most remarkable designs are often the ones that are the most overlooked.

  • In fact, a hallmark of great design is that you don't notice it.

  • So it's important to take time to recognize how the boring things spearhead the brilliance all around us.

  • PNC bank believes in the power of reliability amidst the chaos.

  • While life may offer surprises at every turn, your bank should provide a steady foundation.

  • PNC bank is committed to being that unwavering partner, a solid foundation of support for your day to day life.

  • PNC bank calls their philosophy brilliantly boring, which is a mindset I completely relate to and in an alternate reality could have been the name of the show 99% invisible.

  • But we will get to that.

  • Embrace the beauty of dependability with PNC bank by partnering with a bank that keeps your money boring so your life doesn't have to be.

  • Find out more about how PNC's boring philosophy for your money can help deliver brilliance to your life@pnc.com brilliantly boring PNC bank brilliantly boring since 1865 PNC Bank National association member FDIC this is 99% invisible.

  • I'm Roman Mars.

  • I'm going to take you back into the room where it all began.

  • It was 2010 and the San Francisco chapter of the American Institute of Architects approached the radio station where I was working, KALW 91.7 about co producing a series of short one to two minute stories about local architecture.

  • I was working on several different public radio shows as a freelancer, but this idea was immediately compelling to me.

  • My first instinct was to modify the pitch in two key ways.

  • First off, I felt that the scope should be all kinds of urban design, not just buildings.

  • And secondly, I knew the stories would need to be a little bit longer than two minutes to be compelling and for the audience to really fall in love with these tiny mundane details.

  • So I advocated for the stories to be four and a half minutes long.

  • That's what I felt was the difference between like a story and love a story.