2024-12-11
30 分钟Swiss graphic designer Dafi Kühne explains why legibility is relative and we meet the president of the Instituto Sergio Rodrigues. Also, the architect Jeanne Autran-Edorh reflects on timelessness in architecture. See omnystudio.com/listener for privacy information.
This is Monocle on Design, a show where we discuss everything from architecture and craft to furniture and fashion.
I'm Nick Moniz.
On today's program, Swiss graphic designer Daffy Kune explains why legibility is relatively.
We also meet the president of the Sergio Rodriguez Institute.
Plus, architect Jeanne Otreodot reflects on timelessness in architecture.
All that coming up on Monocle On Design.
Welcome to today's program.
I'm joined in the studio by this show's producer, Mailee Evans.
Welcome.
Thank you very much for having me.
Well, let's just dive straight into this.
You talked to Darfee Kunay, an amazing graphic designer who I came across him through a story earlier this year which we published in Monocle magazine.
And he works with a traditional letter press to make contemporary posters and designs.
That's what makes him so significant, at least to me, on a whole separate route.
Tell us about your relationship or your discovery or your knowledge about Duffy.
So mine comes through the publishers.
Lars Muller, who we featured on the program before and appeared in the Monocle universe, if you'd sort of like to put it that way.
They recently released a title called Post Occult, which is a collection of Duffy's previous work.
And this is spanning decades.
For those unfamiliar, Duffy is a legend when it comes to graphic design, and particularly in the Swiss field.