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The history of Tom Jones, a foundling by Henry Fielding, is one of the most influential of the early english novels, a favourite of Dickens and Coleridge and a page turner, both when it came out in 1749 and today.
Fielding had made his name in the theatre with satirical plays.
And Tom Jones has the tightness of a farce and the ambition of a greek epic, as told by the finest raconteur.
And while the rakish Tom might be the villain in the hands of other authors, Fielding makes him the hero for his fundamental good nature, a caution not to judge anyone too soon, if ever.
With me to discuss Tom Jones by Henry Fielding by Henry Power, professor of english literature at the University of Exeter.
Charlotte Roberts, associate professor of english literature at University College London, and Judith Hawley, professor of 18th century literature at Royal Holloway, University of London.
Judith, let's begin with Fielding's childhood, not dissimilar from that of his hero.
Can you tell us about it?
Well, on the face of it, Fielding's childhood was a very good one.
He was born into a good family in 1707.
His mother, Sarah, was well descended to a gentleman in her family.
His father, Edmund Fielding, was a colonel and later rose through the army and was related to aristocrats.
They claimed that they were related to the habsburg royal family.
And Henry Fielding had this huge protruding jaw, the sort of thing that Velasquez depicts in his portraits of the spanish royal family.
He was sent to Eton, where he met people like George Lyttelton and had a very good classical education.