2024-12-30
1 小时 9 分钟In 1756 a musical prodigy was born in Salzburg, Austria: Wolfgang Amadeus Mozart. Thanks to the efforts of his exacting father, Mozart's genius was exhibited and celebrated in some of the greatest courts of Europe from a young age. At four years old he wrote his first keyboard concerto, at six he was performing for the empress Maria Theresa. Soon he and his father were touring Europe, and the young Mozart's exploits proved increasingly lucrative for his overbearing parent. But, like all young men, Mozart was growing up and becoming increasingly uncontrollable. Feeling stifled and professionally frustrated, he began to disobey his wealthy patrons and went freelance, risking financial security and the favour of his family. Yet, it would also see him falling in love, and writing some of his most glorious works. Nevertheless, time and life was running out for the young composer, as he began to write the powerful Requiem, which may prove to be for his own death... Join Tom and Dominic at the Royal Albert Hall, featuring the Academy of St Martin in the Fields and the Philharmonia Chorus, conducted by Oliver Zeffman, they explore one of the most famous musical figures of all time: Mozart. What was the origin of his genius? What are the stories behind some of his most famous works, such as The Magic Flute and Don Giovanni? And, what is the truth behind his tragic and much mythologised death, young and penniless? Academy of St Martin in the Fields Orchestra Philharmonia Chorus Chorus Oliver Zeffman Conductor Stephanie Gonley Leader & Violin Soloist Mishka Rushdie Momen Pianist Nardus Williams Soprano Katie Stevenson Mezzo Andrew Staples Tenor William Thomas Bass _______ Twitter: @TheRestHistory @holland_tom @dcsandbrook Producer: Theo Young-Smith Assistant Producer: Tabby Syrett + Anouska Lewis Executive Producers: Jack Davenport + Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices
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Hello, everyone.
I hope you had a wonderful Christmas and we have two festive treats coming up for you today and on Thursday.
These are two halves of a show that we recorded at the Royal Albert hall on the 18th of October with a full choir, a full orchestra.
So this is going to be aside from, of course, those immortal episodes in which I sang the first Rest Is History episodes with musical accompaniment.
The first episode, today's episode is on Mozart.
Thursday's episode will be on Beethoven.
Enjoy.
Good evening and welcome to the Rest Is History.
And Dominic, ladies and gentlemen, I think you'll agree that was quite something.
We've had many great musical moments on the Rest Is History.
One one thinks of Diamonds Are A Girl's Best Friend, sung by me.
And more recently, Don't Cry For Me, Argentina, which was also sung by me.
But I think, I mean, that wasn't bad.
That was kind of up there, wasn't it?
Ladies and gentlemen, please do not indulge him.
That was not in that league at all, Tom.
I think it is.
I think we can all agree on that.