Douglas Stuart on Shuggie Bain, Storytelling, and the Human Condition (Part Two)

道格拉斯·斯图尔特谈《休吉·贝恩》、叙事艺术与人的境遇(第二部分)

Intelligence Squared

社会与文化

2025-03-07

37 分钟
PDF

单集简介 ...

This event is part of Conversations at the Kiln, a new event series at Kiln Theatre programmed by Intelligence Squared. For more events with speakers from the worlds of literature, art, poetry and politics, click here. Douglas Stuart, Booker Prize-winning author of Shuggie Bain and Young Mungo, is celebrated globally for his heartbreaking, funny and moving depictions of working-class life, identity and resilience. Born and raised in Glasgow, Stuart’s fiction draws heavily from his own experiences growing up as a gay man in Margaret Thatcher’s Britain. His debut Shuggie Bain received worldwide acclaim for its searing portrayal of poverty, addiction and one young boy’s tumultuous relationship with his mother in 1980s Scotland. It was heralded as a masterpiece by many critics, and received the Booker Prize in 2020; to date, it has sold over a million copies. In his second novel Young Mungo, Stuart returned to the streets of Glasgow to tell an equally compelling story of vulnerability and strength. This coming-of-age tale delves into the forbidden love between two young men, set against the backdrop of sectarian violence and familial expectations. Similarly critically acclaimed, the book cemented Stuart’s place as one of today’s most compelling literary voices. In February 2025 Stuart joined us live on stage to discuss his literary journey, the inspiration behind his award-winning novels, and his insights on writing honest depictions of marginalised worlds rarely seen in the literary mainstream. With the respected production company A24 set to adapt both novels for the BBC, Stuart also discussed the process of bringing his characters to life on screen. ----- If you'd like to become a Member and get access to all our full ad free conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events  ...  Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices
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单集文稿 ...

  • Welcome to Intelligence Squared, where great minds meet.

  • I'm producer Mia Sorrenti.

  • For this episode, we're rejoining for part two of our conversation with Douglas Stewart,

  • the Booker Prize winning author of Shuggie Bain and Young Mungo.

  • If you haven't heard part one, do just jump back an episode to get up to speed.

  • Now it's time to rejoin the conversation recorded recently at the Kiln Theatre in London.

  • Here's our host for the evening, journalist and broadcaster Jenny Kleeman.

  • Do you think that your book will be changed forever by the fact that it's been manifested on screen?

  • Because people who come to it because of having seen it will be seeing it in their heads

  • like they saw it on screen.

  • Yeah,

  • I think the death threats that I thought I avoided from Glasgow I'll probably get once it's suddenly on the telly.

  • But, yeah, I mean, you worry about disappointing people.

  • You sort of live in real anxiety and you don't want to spoil something either.

  • But it was such a personal story that I almost couldn't give it to someone else to adap,

  • because that just allowed another chance for it to get further from the source material.

  • And to be really honest, when you do an adaptation,

  • most of what you're doing is defending and you're just saying, no, this is important and this is how it is.

  • And this makes sense to me and to the characters.

  • I remember spending a lot of time explaining the women in the high rise and how they spoke to each other was actually with great affection