Dorian Lynskey On Everything Must Go: The Stories We Tell About The End Of The World

多里安·林斯凯:《一切必须结束》:我们讲述的世界末日故事

5x15

艺术

2024-05-31

15 分钟
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Dorian Lynskey writes about music, film, books and politics for publications including The Guardian, The Observer, the New Statesman, GQ, Billboard, Empire, and Mojo. His first book was 33 Revolutions Per Minute: A History of Protest Songs. A study of thirty-three pivotal songs with a political message, it was NME's Book of the Year and a 'Music Book of the Year' in The Daily Telegraph. His second book, The Ministry of Truth: A Biography of George Orwell's 1984, was longlisted for both the Baillie Gifford Prize and the Orwell Prize. He hosts the podcasts 'Origin Story' and 'Oh God, What Now?'. His latest book, Everything Must Go: The Stories We Tell About The End of the World , is an original and revealing exploration of one of the central concerns of our times: fantasies and nightmares of the end of the world. With thanks for your support for 5x15 online! Learn more about 5x15 events: 5x15stories.com Twitter: www.twitter.com/5x15stories Facebook: www.facebook.com/5x15stories Instagram: www.instagram.com/5x15stories
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  • Five times 15.

  • Thanks, Jack.

  • Hello, everyone.

  • Lovely to see you.

  • So.

  • So, yeah, the subtitle, which Jack didn't mention,

  • which is fine, is the stories we tell about the end of the world.

  • And the reason I chose that is

  • because I wanted to reflect the fact that I'm talking about fiction novels and films and TV shows and video games and comic books and so on,

  • and all the different ways that we imagine the world will end.

  • But then there's also the stories that we tell the politicians tell activists,

  • scientists, even the ones that we.

  • That we tell ourselves.

  • And a lot of the time the reason why activists are telling them is because they want to.

  • They want to get across a message and they want to galvanize people.

  • And so I just wanted to talk about a couple of different sort of sections of the book where it's really two halves of the same story,

  • which is, how useful is fear?

  • Because people sometimes ask, well, why?

  • What is the point of these stories of the end?

  • And obviously entertainment is one of them, but I wonder, are they actually useful?