In the Studio: Anna Clyne and Jody Elff

在工作室:安娜·克莱恩与乔迪·埃尔夫

The Documentary Podcast

社会与文化

2025-04-07

26 分钟
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单集简介 ...

Contemporary classical music composer Anna Clyne is one of the most performed and in demand composers in the world. For her next commission, she is working on a new concerto for the St Louis Symphony Orchestra in Missouri, US. The piece is called PALETTE, and will feature seven movements related to seven colours: plum, amber, lava, ebony, teal, tangerine and emerald green. Anna will be working with her Grammy-winning audio engineer, sound artist and designer husband Jody Elff on the composition, using their Augmented Orchestra to electronically manipulate the sound of the orchestra in real time during live performances. It's part of their challenge to expand the sound of the acoustic orchestral world while pushing the boundaries of contemporary classical music. Anna will also be painting seven pictures as part of the creative process, inspired by her music, to add to the audience's experience of the work.
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单集文稿 ...

  • This BBC podcast is supported by ads outside the UK.

  • Welcome to the documentary in the studio from the BBC World Service.

  • The programme that gets inside the minds of some of the world's most creative people.

  • That can just run under the whole movement or maybe there's a moment in the middle where we just take it out and let the piano sort of be its really pure natural sound like the sun's coming out.

  • That's Anna Klein, one of the most performed living composers working alongside her husband,

  • the US Grammy Award-winning audio engineer, sound designer and artist Jodie Elf.

  • Together they've created the augmented orchestra.

  • It's a groundbreaking technology that enables them to expand the sound of an acoustic orchestra,

  • taking audiences on immersive sonic journeys with surprising yet subtle electronic effects.

  • Every time we get another opportunity to dive into the augmented orchestra is an opportunity to try something new and see what works and see what doesn't and take some risks.

  • I mean I feel a little bit like a troublemaker in the orchestral world.

  • We've worked together on projects for 20 years now and sometimes being a creative can be a vulnerable part of one's expression but

  • if I'm working on a piece of music I feel very comfortable to play it to Jodie and to know

  • that he'll give me honest feedback and vice versa so there's a lot of openness in that collaborative process.

  • I'm Anna Bailey and I'm following Anna and Jodie as they work their magic across their latest commission.

  • It's a piece for the St Louis Symphony Orchestra in Missouri in the US and it will be their first large scale implementation of the augmented technology.

  • It's called Palette,

  • a concerto for augmented orchestra and it's going to explore the relationship between music and art.

  • A texture in a painting could inspire a texture in the orchestra so one inspires the other in a very symbiotic relationship which is really exciting and can also help when you have those moments of writer's block.

  • It's the end of August 2024 and by the power of my computer I'm beamed into Anna and Jodie's home in rural upstate New York.