Before this BBC podcast kicks off, I'd like to tell you about some others you might enjoy.
My name's Will Wilkin and I commission music podcasts for the BBC.
It's a really cool job.
Every day we get to tell the incredible stories behind songs, moments and movements.
Stories of struggle and success, rises and falls, the funny, the ridiculous.
And the BBC's position at the heart of british music means we can tell those stories like no one else.
We were, are, and always will be right there at the center of the narrative.
So whether you want an insightful take on music right now, or a nostalgic deep dive into some of the most famous and infamous moments in music, check out the music podcasts on BBC sounds.
BBC Sounds Music Radio podcasts hello, I'm Lauren La Verne, and this is the Desert Island Discs podcast.
Every week I ask my guests to choose the eight tracks, book and luxury they'd want to take with them if they were cast away to a desert island.
And for rights reasons, the music is shorter than the original broadcast.
I hope you enjoy listening.
My castaway this week is Marina Abramovich.
She's one of the most revered living artists.
During her 50 year career, she has moved, scandalized, provoked and delighted audiences around the world, and in the process, brought performance art into the mainstream.
Her work is characterized by physical endurance.
She has drugged herself, walked the Great Wall of China, and spent days vainly attempting to clean blood from a gigantic pile of cow bones representing the war in the country of her birth, the former Yugoslavia.
Her work is every bit as emotional as it is physical, and her invitation to us, the public, to participate has made her world famous.
In the beginning, the reaction was sometimes violent.
In 1974, she invited gallerygoers to use objects on her body to stimulate pleasure or pain.